Chris writes
The very first name has echoes of Hammer horror movies and the second,
well, try calling some one that in a New York subway. You may well end
up either shorter, wider or ventilated.
In fact the opposite is quite the case, as you could well imagine,
with the Fagot, one of the most famous venues in Belgium and the
spearhead of the Ingelmunster Festival, which Linda and I played on in
2001; It was there I met Darrell Adams and the end result was my song
'The Banjoman,' later featured on a tribute DVD to the great man after
his death. By the by I gather that his funeral was unique as the man
himself and if eyewitness accounts are to be believed, they filled the
coffin around him with prime marijuana leaves prior to his cremation.
Jean-Pierre Deven and his wife Karen are the owners of the 'Fagot'and
from Fairport Convention to ourselves and beyond, anyone and every one
has played there.
It a rambling spot with steep back stairs climbing up in to dusty
rooms full of all things musical and all things to do with pubs from
Guiness posters to baseball hats.
JP and Karen are hospitality incarnate. Apart from stunning food, and
the Belgians excel at that, they have a profound belief in the sheer
joy of alcoholic consumption.
JP's first comment after 'hello's and hugs was, 'a coffee, and a cognac?'
We sound checked; decided to have dinner before the show, which would
have brought a smile to the face of a gourmet. Superb cuisine.
The audience is small but enthusiastic, and something of a culture
shock after the largely sold out shows in Holland. A particularly
volatile and warmly friendly lady called Marie-Christine full of the
joys of life and a personality to match insisted on selling our CD's.
She did not sell a lot because there were not a lot of people, but she
did her best.
By this time JP was well into some rather fine champagne. We ended the
first set with 'Lord of the Ages.' .
Some old friends dropped in including our friend Erwig ( whom I always
called Earwig ) and he wants us to do a concert in Oudenarde in the
Spring.
Second set.
Not a lot I can say except that we fired on all cylinders and steamed
out on our epic closer 'Paradise Row;' then 'Airport Song' thrown in
for good measure
More champagne; beers and so it goes on. I just love JP and Karen. He
has a grey beard that would have graced the chin of Moses the lawgiver
and had a sly way of peering at you along an aquiline nose as he
suggests a bewildering array of drinks. She has grey eyes that smile
and twinkle beneath an equally grey fringe - eyes that have seen much
and are surprised at little.
We all gathered around the bar after everyone ( except Marie-
Christine ) had gone.
Ranks of Irish Coffees appeared. Matt found himself downing Slippery
Nipples, after a selection of fine Belgian beers, and JP and I stayed
with the champagne, and before bed, a fine cognac to round things off.
What a night! If every night was like that we'd be either dead or embalmed.
Musically we played copious amounts of J.J.Cale and Paul Simon. A
female figure slipped in about 5.0 am. No one took any notice and she
started cleaning the bar.
It gradually sank into blurred consciousnesses that this was the
cleaning lady. 5.0 am?!
I went to bed at 6.0am. Matt followed on afterwards.
Breakfast was the 3.0 the next afternoon.
JP enquired innocently if we'd all like a beer. We declined and had a
great repast with yours truly unable to get my head around the
cleaning lady coming in at 5.0am
I asked JP, 'why does she come in so early.'?
He thought for a while then shook his head.
'I don't know,' said he. And that was that.
Sad farewells and hopeful promises to meet up again maybe at the next Festival,
Fire up and down the highway once more.
A night/ day to remember.